Dirk Reimes

dirk-reimes-1
my belgian things, 2019 Rack with tools 152 x 202 x 29 cm
dirk-reimes-2
Symposion 2018 Installation (terrycloth-foam objects, ceramics-cement objects, fruit, audio) Dimensions variable
dirk-reimes-3
The shape of things to come 2017 Installation (large format prints, sculptures, furniture parts, edition of Allen keys) Dimensions variable

As an artist I think of myself as being a researcher on his own terms. My conception of art is that of an applied philosophy, engaged in what constitutes our reality: this confusingly complex net of relations in which we find ourselves somewhere amongst other entities – humans and objects, spaces and places, media and devices, things and concepts.

I am therefore not specialized in a certain medium. Rather, I am interested in specific contexts, situations, histories, the fabrics of everyday's life: the beauty, the absurdity, the craziness of what surrounds us, of what enters our minds, of what we do for whatever good or silly reason. Within these contexts I am not trying to take an objective, a neutral position; I am sharing, exchanging, participating. So that any outcome will be a co-creation within and with the conditions and experiences of these contexts. I am not so much interested in operating on a meta level of pointing out, referencing, documenting. It is "inside" from where I hope to gain a sort of poetic knowledge, one that tries to tell the stories, the myths, these strange fictions we call our identities.

My work thus often begins with fieldwork, with walking around (I am a passionate flaneur), with collecting things and images, with listening and sniffing. In a certain sense I am always at work. Nonetheless, at one point, something particular shows up, gets examined and finally transformed into a distinct "piece". My means of research as well as the final outcomes are very broad: images (from photography to video to painting and drawing), objects (sculptures, installations), text (books or inscribed within other media). These are relational, "social" works; not autonomous auratic masterpieces. What they have in common is my interest in the everyday and ordinary, a certain narrative quality and a sense of humor and self-irony.

Logo-TMBR Sophia-Holst-1 1-sideline Bas Blaasse 1 Ingo-Brosch-1O-Young-Kwon-1JPG Olaf Winkler - 1 sophie-varin-1 amber-vanluffelen-1 Chloe_malcotti_image_1 Veerle_Melis_1 David_Bernstein_1 pieter-geenen-1 sabrina-seifried-DK-benjakon-2 Eitan Efrat and Sirah Foighel Brutmann 01 anne philippe 1 Bianca Baldi_Sebastiano_Pellion_di_Persano Paoletta_Holst-Collection_Tillema-1.png Perri MacKenzie_01 Joachim-Robbrecht-License-Isolde-Woudstra-1.jpeg 1.two figures Evelien-Cammaert-1 dirk-reimes-1 antoniabrown1 21 SECOLO marcella Karolien Chromiak 1 Ekaterina_Kaplunova_1 ValerieLee_rolling3 IMG_4126_1 Lucie Burton 1 - guiding at Musée d_Ixelles - 2015 Colonial Lives Ralph Schuster-Pianoshirt [Margaux]-[Schwarz]-[photo_ Fabrice Schneider]-[1] Jolien-Naeyaert-1 lola-daels-1 Anouchka_Oler_Clement-Harpillard_1 Elies-Vaer-1 DSCF9140 Anna Zacharoff _National Museum__2 Emma-van der Put-1 Francesca_Grilli_AmericanAcademyRome_01 0Z2A7379 Batsheva_Ross_1.jpeg Maud_Gourdon_credit_Chantal_van_rijt_1 markus von platen 1 Bartosz_Gorka_Free_Gestures_1 Bas-vandenHout-1 Aleksandra Chaushova 1 (Schneider Pen) arts-et-marges IMG_4406 MarcoLampis1 dries-segers-1 11 Kevin Gallagher _ 2 Natasja-Mabesoone-1 desespiègles-1 Coraline-Guilbeau-DiegoThielemans-1